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Basic Cheat Engine setup on RPCS3 本体のダウンロードはこちら To use Cheat Engine on RPCS3, you need to set up a few things beforehand. MEM_MAPPED Settings First, we need to enable MEM_MAPPED option to let Cheat Engine have the ability to scan Mapped memory regions. As most of the games emulated are stored in mapped regions, this option is essential for using Cheat Engine in emulators. In Cheat Engine, go to Edit - Settings. Navigate to the Scan Settings tab, and ensure that all three MEM options are enabled, as shown in the figure below. Big Endian Support Most emulators operates in Big Endian value type. To put it simply, Big Endian is the reversal of a normal byte array. For example, 00 01 02 03 in Big Endian will be 03 02 01 00. By default cheat engine does not include Big Endian value type, so we will need to define it ourselves. In cheat engine, right click on the value type and select Define new custom type (Auto Assembler). A new window will pop up with codes in it. Delete it all and paste in the codes down below. alloc(TypeName,256) alloc(ByteSize,4) alloc(ConvertRoutine,1024) alloc(ConvertBackRoutine,1024) alloc(UsesFloat,1) alloc(CallMethod,1) TypeName db 2 Byte Big Endian ,0 ByteSize dd 2 ConvertRoutine [64-bit] xor eax,eax mov ax,[rcx] //eax now contains the bytes input pointed to xchg ah,al //convert to big endian ret [/64-bit] [32-bit] push ebp mov ebp,esp mov eax,[ebp+8] //place the address that contains the bytes into eax mov ax,[eax] //place the bytes into eax so it s handled as a normal 4 byte value and eax,ffff //cleanup xchg ah,al //convert to big endian pop ebp ret 4 [/32-bit] ConvertBackRoutine [64-bit] xchg ch,cl //convert the little endian input into a big endian input mov [rdx],cx //place the integer the 4 bytes pointed to by rdx ret [/64-bit] [32-bit] push ebp mov ebp,esp push eax push ebx mov eax,[ebp+8] //load the value into eax mov ebx,[ebp+c] //load the address into ebx xchg ah,al mov [ebx],ax //write the value into the address pop ebx pop eax pop ebp ret 8 [/32-bit] Once you have pasted it in, double check the script, and press OK After that, the value type you defined will be added in the value type selection, as shown below. Using the same method, add in the 4 byte Big Endian value type. alloc(TypeName,256) alloc(ByteSize,4) alloc(ConvertRoutine,1024) alloc(ConvertBackRoutine,1024) alloc(UsesFloat,1) alloc(CallMethod,1) TypeName db 4 Byte Big Endian ,0 ByteSize dd 4 ConvertRoutine [64-bit] xor eax,eax mov eax,[rcx] //eax now contains the bytes input pointed to bswap eax //convert to big endian ret [/64-bit] [32-bit] push ebp mov ebp,esp mov eax,[ebp+8] //place the address that contains the bytes into eax mov eax,[eax] //place the bytes into eax so it s handled as a normal 4 byte value bswap eax pop ebp ret 4 [/32-bit] ConvertBackRoutine [64-bit] bswap ecx //convert the little endian input into a big endian input mov [rdx],ecx //place the integer the 4 bytes pointed to by rdx ret [/64-bit] [32-bit] push ebp mov ebp,esp push eax push ebx mov eax,[ebp+8] //load the value into eax mov ebx,[ebp+c] //load the address into ebx bswap eax mov [ebx],eax //write the value into the address pop ebx pop eax pop ebp ret 8 [/32-bit] And the same for Float Big Endian alloc(TypeName,256) alloc(ByteSize,4) alloc(ConvertRoutine,1024) alloc(ConvertBackRoutine,1024) alloc(UsesFloat,4) alloc(CallMethod,1) TypeName db Float Big Endian ,0 ByteSize dd 4 UsesFloat db 01 ConvertRoutine [32-bit] push ebp mov ebp,esp mov eax,[ebp+8] //place the address that contains the bytes into eax mov eax,[eax] //place the bytes into eax bswap eax pop ebp ret 4 [/32-bit] [64-bit] mov eax,[rcx] //eax now contains the bytes input pointed to bswap eax ret [/64-bit] ConvertBackRoutine [32-bit] push ebp mov ebp,esp push eax push ebx mov eax,[ebp+8] //load the value into eax mov ebx,[ebp+c] //load the address into ebx bswap eax mov [ebx],eax //write the value into the address pop ebx pop eax pop ebp ret 8 [/32-bit] [64-bit] bswap ecx mov [rdx],ecx //place the integer the 4 bytes pointed to by rdx ret [/64-bit] Once you pressed OK, you are set to go! But just to be sure, check if your value type has 3 new selections available. And when you want to scan for values in game, please use their big endian counterpart.
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Verbindungen Im Stahlbau Vch Verlagsgesellschaft Mbh? Stracke? VchVerlagsgesellschaftMbh? Stracke? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-Chemistry? Subjects-Science-General Der Ingenierbau Grundwissen Band 9 Wiley-VCH? G Melhorn? Wiley-VCH? GMelhorn? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Organic Thin Films for Photonics Applications Postconference Edition 1995 (Technical Digest Series (Optical Society of America), 1995, V. 21.) Optical Society of Amer? 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Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? GerhardSedlacek? HansEisel? WolfgangHensen? BertramKuhn? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Leitfaden Zum DIN-fachbericht 104 Verbundbrucken Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? Gerhard Hanswille? Natalie Stranghoner? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? GerhardHanswille? NatalieStranghoner? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Leitfaden Zu Den DIN-Fachberichten 101 Einwirkungen Auf Brucken, 102 Betonbrucken, 103 Stahlbrucken, 104 Verbundbrucken Wiley-VCH? Ernst & Sohn? Wiley-VCH? 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Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-Chemistry? Subjects-Science-General Die Bauproduktenrichtlinie - The Construction Products Directive - LA Directive Des Prodiuts De Construction German/English/French John Wiley & Sons Inc? VCH? JohnWiley&SonsInc? VCH? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Reference? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Reference? 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Subjects-Science-General Hochleistungbeton Bemessung, Herstellung Und Anwendung Wiley-VCH? G Konig? Wiley-VCH? GKonig? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Bemessung Von Stahlspundwanden Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? Gerhard Schmitt? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? GerhardSchmitt? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-Chemistry? Experimentelle Tragischerheitsbewertung Von Bauwerken Wiley-VCH? K Steffens? Wiley-VCH? KSteffens? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-45? 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Subjects-Science-General Stahlbau Teil 2 - Stabilitatslehere Stahlhochbau Industriebau (Paper Only) Wiley-VCH? U Kruger? Wiley-VCH? UKruger? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Empfehlungen Doppeldichtung Tunnel - Edt Vch Verlagsgesellschaft Mbh? Deutsche Gesell? VchVerlagsgesellschaftMbh? DeutscheGesell? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Finite Elemente in Der Baupraxis - Modellierung, Berechnung Und Konstruction Fem '98 John Wiley & Sons Inc? P. Wriggers? JohnWiley&SonsInc? P.Wriggers? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Science-General ユーズドブック(洋書)-Engineering 洋書
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【Tags A Rin tD tG Akuno-P】 Original Music Title 悪ノ娘 English music title Daughter of Evil \ Girl of Evil Romaji music title Aku no Musume Music Lyrics written, Voice edited by mothy \ 悪ノP(Akuno-P) Music arranged by mothy \ 悪ノP(Akuno-P) Singer 鏡音リン (Kagamine Rin) The song is paired with Rin s "Servant of Evil" and included in 悪ノ娘(Aku no Musume) Series. Fanmade Promotional Videos Fanmade Covers and Arrangements Click here for the original Japanese Lyrics English Lyrics (translated by soundares)： Long long time ago in some place was The kingdom of treacherous inhumanity, And there reign in apex was The princess of age 14. Gorgeous luxurious furniture. The servant who had quite similar face. Name of beloved horse was Josephine. Everything was all hers. If the money lacks, Squeeze out from the foolish raff. As for the people who oppose to me. Clean up. "Now, knee down!!" Evil flower, Blooms dainty. With vivid coloration, As for pitiful weeds around Oh became nutrient and (now) decaying off. The tyrant princess s love was a Man of blue in other side of the sea. However, as for him the neighboring country s Woman of green was the love in first sight. Princess mad with envy, One day calls up minister and Said it in a quiet voice, "Ruin the country of green." Numerous houses burned down. Numerous lives were going out. Grief of the suffering people Does not reach the princess. "Oh, time for the snack." Evil flower, Blooms dainty In maniacal coloration. Although it is a very beautiful flower Oh there s too much thorn it can t be touched. In order to defeat the evil princess, People finally stands up. Led crowd no more then a bevy of birds was a Lady swordsman of red armor. The anger that had piled and piled (Now) Wrapped up the whole country. Worn from long war, The soldiers were not an enemy at all. Finally the court was surrounded and Servants too run away. Lovely dainty princess, Finally, was caught. "(How disrespectful a man)!" Evil flower, Blooms dainty In doleful coloration. Paradise (made) for her, Oh, collapsing brittle but fleetingly. Long long time ago in some place was The kingdom of treacherous inhumanity, And there reign in apex was The princess of age 14. Time of execution was three o clock in the afternoon, The time when the bell of the church sounds. The person who was called the princess... What thought does she have alone in prison. Finally, the time arrives. The bell which announces the end rings. Not giving any eyes to the populace, She said this. "Oh, time for the snack." Evil flower, Scatters dainty In vivid coloration. The people of latter-day talk (of her) as such, Oh she was truly the daughter of evil. English Lyrics (translated by Cezaria Kylara)： Now, kneel before me! Long, long ago, in a faraway place Was the kingdom of atrocity and injustice. The one ruling from its very top was A princess of fourteen years. Luxurious, glamorous decor A servant with a very similar face A beloved horse named Josephine Everything, everything was hers. If the money should become scarce, Squeeze it from the ignorant rabble. Those who oppose me, Silence them. "Now, kneel before me!" The flower of evil blooms sweetly With such vivid colors. The miserable weeds around it Oh~ They wither from becoming its food. The tyrannical princess fell in love With the man of Blue across the sea Alas, he fell in love at first sight With the woman of Green in the kingdom nearby. Driven mad by jealousy, the princess Summoned her ministers one day. In a quiet voice, she said, "Destroy the Kingdom of Green." Countless homes were burned to the ground Countless lives were erased. The lamentations from the suffering people Never reached the princess. "Oh, it s time for tea!" The flower of evil blooms sweetly With its maddening colors. Although it is a very beautiful flower Oh~ It has too many thorns to be touched. In order to overthrow the evil princess Finally, the people have rebelled. There, leading the raging mob Was a swordswoman in red armor. Gradually accumulated anger Encompassed the entire kingdom. Tired from having fought long battles, The soldiers were no enemies at all. Finally, the palace was surrounded Her loyal servants have already escaped. The lovable, sweet princess, Was finally caught. "Why, you insolent thing!" The flower of evil blooms sweetly With such tragic colors. The paradise created for her Oh~ So fragile, so fleeting, it collapses. Long, long ago, in a faraway place Was the kingdom of atrocity and injustice. The one who used to rule from its very top was A princess of fourteen years. The time of execution is three hours after noon, At the time when the church bell tolls. The person once called the "princess" was Thinking of something alone in her cell. Finally, the time has arrived The bell signalling the end is tolling Without sparing a look to the crowd, She said this "Oh, it s time for tea." The flower of evil falls sweetly With such vivid colors. Ever after, the people said this Oh~ She is truly the girl of evil. Romaji lyrics (transliterated by Terme)： Mukashi mukashi aru tokoro ni Akugyaku hidou no oukoku no Chouten ni kunrin suru wa Yowai juuyon no oujo-sama Kenran goukana choudohin Kao no yoku nita meshitsukai Aiba no namae wa josefiinu Subete ga subete kanojo no mono Okane ga tari naku natta nara Gumin domo kara shibori tore Watashi ni sakarau mono tachi wa Shukusei shite shimae "Saa, hizamazuki nasai! " Aku no hana karen ni saku Azayakana irodori de Mawari no awarena zassou wa Aa youbun to nari kuchite iku Boukun oujo ga koi suru wa Umi no mukou no aoi hito Dakedo mo kare wa ringoku no Midori no onna ni hitomebore Shitto ni kurutta oujo-sama Aru hi daijin wo yobi dashite Shizukana koe de ii mashita "Midori no kuni wo horoboshi nasai" Ikuta no ie ga yaki hara ware Ikuta no inochi ga kiete iku Kurushimu hitobito no nageki wa Oujo ni wa todoka nai "Ara, oyatsu no jikan da wa" Aku no hana karen ni saku Kuruoshii irodori de Totemo utsukushii hana nano ni Aa toge ga oo sugite saware nai Aku no oujo wo taosu beku Tsui ni hitobito wa tachi agaru Ugou no karera wo hiki iru wa Akaki yoroi no onna kenshi Tsumori ni tsumotta sono ikari Kuni zentai wo tsutsumi konda Naganen no ikusa de tsukare ta Heishi tachi nado teki de wa nai Tsui ni oukyuu wa kakoma re te Kashin tachi mo nige dashi ta Kawaiku karenna oujo-sama Tsui ni torae rare ta "Kono burei mono!" Aku no hana karen ni saku Kanashigena irodori de Kanojo no tame no rakuen wa Aa moroku mo hakanaku kuzure te ku Mukashi mukashi aru tokoro ni Akugyaku hidou no oukoku no Chouten ni kunrin shite ta Yowai juu-yon no oujo-sama Shokei no jikan wa gogo san-ji Kyoukai no kane ga naru jikan Oujo to yobare ta sono hito wa Hitori rouya de nani wo omou Tsui ni sono toki wa yatte kite Owari wo tsugeru kane ga naru Minshuu nado ni wa me mo kure zu Kanojo wa kou itta "Ara, oyatsu no jikan da wa" Aku no hana karen ni chiru Azayakana irodori de Nochi no hitobito wa kou kataru Aa kanojo wa masa ni aku no musume Fanmade Filks [mothy, Akuno-P, AkunoP]
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管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 第１幕 （ウィーン旧市街のホテルのサロン。中央に観音開きの扉がある。舞台右手前方には窓があり、そのずっと奥のほうにはドアがある。舞台左手にも同じようなドアがある。サロンは１８６０年代様式の豪華な新品の調度品で飾られている） （アデライーデはトランプ占いの女と一緒に舞台左手のテーブルに向かって腰かけている。少年の服を着たズデンカは、舞台右手の別のテーブルで、書類の整理をしている） KARTENAUFSCHLÄGERIN＜トランプ占いの女 先ほどよりも、いいカードですわ。 ADELAIDE ああ、ありがたい！ （ノックの音） いい所なのに、邪魔しないでよ！ ZDENKA （中央の扉に駆けて行き、渡されたものを受け取る） 父は外出中ですし、母は頭痛で出られません！ 後ほどお越しを・・・。また請求書か！ ADELAIDE （拒否するように手を振りながら） 今は無理よ！どっかに置いといて！ ZDENKA 請求書がこんなにたまってしまったよ。 ADELAIDE しいっ、静かにして！・・・カード占いの結果は？ 心配でたまらないわ！ KARTENAUFSCHLÄGERIN （カードの上に身をかがめて） ご安心のほどを。遺産が近づいてきていますよ・・・ ゆっくりと！ ADELAIDE （心配そうに手をよじりながら） それじゃだめよ！もう待てないわ！ もはや残された希望は一つ。 アラベラがすぐに結婚すること！ その件について、カードは何と？ KARTENAUFSCHLÄGERIN カードは、すべてを鏡のように映し出します。 父親・・・これはあなたのご主人ですわね。 ああ、ご主人は心労に取り巻かれて、お先真っ暗。 それでも一戦を、勝負を・・・ああ、またも 大金を失ってしまいました。 ADELAIDE マリア様、お助けを！ 可愛いあの娘が、私を救ってくれますように！ お願いでございます。あの娘の婚約は・・・ 成立しないの？ あたし達の信用は、がた落ちなのよ。あなた！ KARTENAUFSCHLÄGERIN （長い間、カードを見つめて） 士官の登場です。 ADELAIDE 士官ですって？あら、いやだ！ ZDENKA （独り言で） それは、マッテオだ！ KARTENAUFSCHLÄGERIN ちがう！本命は、この男ではない！ ADELAIDE そうでなくちゃ！ KARTENAUFSCHLÄGERIN 彼方から登場する見知らぬ紳士・・・それが花婿。 ADELAIDE エメラルド・ブローチを、あなたにあげるわ。 もしも、今の予言が、 今週中に実現すれば！ KARTENAUFSCHLAGERIN （まるで預言の書を解読するように、ゆっくりと） その紳士は遠方より現れます。手紙に呼ばれて来るのです。 ADELAIDE 遠くから？ ならば、それはエレメル伯爵だわ。間違いない！ KARTENAUFSCHLÄGERIN 大きな森・・・そこからやって来るのです。 ADELAIDE やはりそう！エレメルよ！ああ、お話のとおりよ！ 素晴らしいわ！・・・ でも、なぜ、あの方、グズグズしているのかしら？ KARTENAUFSCHLÄGERIN いいえ、グズグズしているのは、女のほう。 ADELAIDE （歓声をあげて） ガラスみたいに人の心が見えるのね！ あの子は、言いようもないほどプライドが高いからねえ。 ああ、神様、 少しプライドを捨てさせるようにしてください！ 美しいのと同じぐらい、プライドが高いんだから。 （ノックの音。ズデンカは扉に駆けて行く） ZDENKA だめです！今はとても！ （また請求書を受け取り、テーブルの上に投げ出す） ADELAIDE どうしたのよ？そんなに眉をひそめて？ KARTENAUFSCHLÄGERIN （カードを見て考えこむ） 美しいお嬢さんと、 その裕福な紳士の間に割り込もうとしている者がいる！ ADELAIDE ああ、マリア様、そんなことがございませんように！ KARTENAUFSCHLÄGERIN （カードの上に身をかがめ） あらっ？ 奥様には、もう一人娘さんがいらっしゃるのですか？ 存じ上げませんでした。ああ、これは本当に危険な状況！ ADELAIDE （小声で） お静かに！ 我が家の秘密にかかわることなのですから！ （ズデンカは舞台右手で聞き耳を立てている） KARTENAUFSCHLÄGERIN どうして、いきなり下の娘さんなど現れるのでしょう？ この子が、お姉さんに不幸をもたらすのです！ ADELAIDE お願いだから、声を静かに！ KARTENAUFSCHLÄGERIN （カードを見ながら） この姉妹は、引き離さねばなりません！ さもないと、全てが水の泡ですよ！ ADELAIDE （占い女に顔を寄せて） 何が見えているのです？ KARTENAUFSCHLÄGERIN 大げんかの勃発。仲違い。 花婿が去って行きます！ 何てひどい言葉！それも赤の他人にまで！ ADELAIDE ああ、神様、何とかして！ KARTENAUFSCHLÄGERIN こんな災厄が起こるのは、すべて あの金髪の小娘と、士官のせいですわ。 ADELAIDE （テーブルの脇にくずれ落ちて） 天にまします天使たち！ 心労の絶えぬ母親の嘆きを 聞いて下さいまし！ ZDENKA （こわごわと） ママ！ ADELAIDE ズデンカ！静かにしてて！ こんなことなど気にしないで！ （体を起こし、ズデンカを指差しながら小声で） しいっ！実は、娘とはあの子なのです！ KARTENAUFSCHLÄGERIN あの若い殿方が？ ADELAIDE 娘なのですが、 男みたいにやんちゃなので、 ずっと男の子として育ててきたのです。 この街で二人の娘を身分相応に育てるほど 私達は金持ちでもありませんしね。 ですが、あの子は、姉をとても愛しています。 姉のためにならないことをするはずはないのですが？ KARTENAUFSCHLÄGERIN カードは嘘をつきませんわ。 こちらには士官。あちらにはブロンド娘。 鞘からサーベルが抜かれれば、 花婿のほうは引き下がります。 このカードの結果に、ご留意くださいませ！ ADELAIDE （立ち上がる） あなたは、私を救う天使！ さあ、私の部屋へ！もう一度、運だめしを！ KARTENAUFSCHLÄGERIN カードの結果は取り消せませんよ。 ADELAIDE さあさあ、早く！お願いよ。 （舞台右手の隣室へと退場） ZDENKA （積み重なって山となった請求書を手にして、 文面を読む） みんなお金の催促ね！裁判するぞと脅かしている！ ええっ？私が全然知らないことまで書いてある。 私達がこの街を離れようとしているなんて！ ああ！そうなったら何もかも終わりだわ！ あの人の姿ももう見られない！ （不安に駆られて舞台左手のドアへ駆け寄り、耳を澄ます） あの占い女の声がする･･･ アラベラに何かが迫っているって。 きっと、士官のことだわ。 ママの声がする･･･ あの男を出入り禁止にする、ですって？ ずいぶん面目を潰されたからね。 でも、出入り禁止なんて？大変だ。そうなったら・・・あの人自殺しちゃうわ・・・しかも、みんなが、お姉さんのせいだと知るんだわ・・・それにしても、お姉さん・・・ 自分がどんなに愛されているか分かっているくせに！ （ドアを通って外に出て行く） ああ、神様。私達が旅立つ羽目になどならないようにして下さい！パパが賭けに勝ちますように！ゲルツのおばさんが亡くなってくれれば！ベッラがマッテオのことを一番愛してくれれば･･･。 マッテオは幸せになり、私達も惨めな思いをしなくて良くなるのに！ そうなってくれるなら、 私なんか犠牲になってもいい・・・ 一生、男の服を着て、何もかも諦めたっていいわ！ （ノックの音。ズデンカが中央の扉に向かって行く。ドアが外から丁寧に開けられると、マッテオが入って来る。猟兵部隊の制服を着て、手に帽子を持っているが、サーベルは持っていない） ZDENKA （驚いて顔を青くして） マッテオ！ MATTEO ズデンコ！君か！一人かい？ ZDENKA （小声で、不安そうに） 母さんが部屋にいる。 MATTEO で、アラべラは？ ZDENKA 取り巻き連中と、リング通りを散歩中さ。 MATTEO （一歩前に出て） ぼくあてには何も届いてないかい？ 伝言とか、手紙とかは？ （ズデンカは悲しそうに首を振る） じゃあ、昨日の晩は？ ZDENKA 姉さんは、母さんと一緒に オペラに行ったよ。 MATTEO （嫉妬にかられて） お母さんとだけかい？ ZDENKA （ためらいつつ） ママと、３人の伯爵と一緒だったと思うよ。 MATTEO 今日の午後は？ ZDENKA （ためらいつつ、不安そうに） 伯爵たちが、そりに乗って迎えに来るはずさ。 ぼくも行かなきゃ・・・きっと付き人が必要だろうから。 MATTEO （ひどくショックを受けて） あの人とぼくとの仲は、もう終わったんだ！ 君がいなければ、彼女が何をしているのかすら 分かりゃしない！ あの人はぼくに、時々、気の無い、 うつろな眼差しを投げるだけだ！ ZDENKA でも、お姉さんは君を愛しているよ！ ぼくを信じて！ぼくには分かるよ！ MATTEO （顔を輝かせて） ズデンコ、ぼくの友達は君だけだ！分かるって？お姉さんが君にそう打ち明けたのかい？ ZDENKA 知っての通り、お姉さんは本心を出さない人だから 言葉でなんか言わないさ。 でも、ぼくには分かるのさ・・・ ３日前だって君に手紙を書いて、 君はとても幸せだったじゃないか？ MATTEO ああ、３回目だった・・・ 天から来た手紙のようだった！ それなのに、また、よそよそしい態度で冷たくするなんて！ どう理解すればいいんだ？どう我慢しろと？なあ、ズデンコ。 ZDENKA （小声だが、重々しく） それが女心というものさ。女の人は、より多くのものを与えたいと思うけど・・・決してそれを外に表したりはしない。姉さんは、ひどく恥ずかしがり屋さんだからね。 MATTEO ねえ、君！それがわかるぐらいなら、 きっと、ぼくの気持ちだって、分かるだろ・・・ （ズデンカの腕をつかむが、ズデンカはあわてて身をもぎ離す） どんな時間なのか分かるかい・・・ ぼくが、どんなことを考えると思うんだい・・・ あの人が、ぼくをまるで空気のように見るだけで、 ぼくが再現を願い、そのためだけに生きている あの愛のしるしを全く見せてくれない時間に！ ZDENKA （あわてて） 分かったよ。また手紙を持って行くさ、 今日か明日のうちには！ MATTEO （迫るように） 今日中だよ！君のほかに友はいないんだ！ 男の約束だ・・・ 信じているぞ！ でも、君すら、もはや信じられなくなったら、 きっと別の結末になる！ ZDENKA （不安に満ちて） 何だって？どうなるのさ？マッテオ。 MATTEO （とても暗い声で） 明日、隊に行って、 ガリチアへの転属を願い出るんだ。 それも何の役にも立たず、 そこでもアラベラを忘れられないようなら、 解決策は一つ・・・このリボルバー拳銃さ。 ZDENKA ああ、何てことを！ MATTEO 忘れないでほしい。ぼくを救うのは君だ！ （駆け去って行く） ZDENKA （危険と困難に取り巻かれ、興奮と不安で気を失いそうになりながら） あの人を助けねば・・・ああ、でも！私は･･･私のことは誰が助けてくれるのよ！そんな手紙ならいくらでも書けるほど、言葉は次々見つけ出せるし、夢の中でも思い付いたりしてしまう・・・。だけど、私がお姉さんに成り代わって、甘い愛の言葉を書いたって、そんな手紙が何の役に立つのよ！ むしろ考えないといけないのは、お姉さんの心に響いて、この人こそ私が愛するにふさわしい人だと、お姉さんに思わせる言葉なのに。 そちらは余りに難しくて、私にはうまくできない。・・・なんでこうもうまくいかないのかしら。 ARABELLA （舞台の右側から現れる。帽子とヴェールをかぶり、毛皮のジャケットを羽織っている。その後ろには付き添いの少女） ありがとう、お嬢さん。 明日また同じ時間に迎えに来てね。 今日はもう結構よ。さようなら。 （付き添いの少女は退場） ARABELLA （帽子とジャケットを脱ぐ。 ふと円卓上のバラの花束に気がつく） きれいなバラね！軽騎兵が持ってきたんじゃない？ （バラを手に取る） ZDENKA 何だって？軽騎兵？ ARABELLA 外国旅行者のボディーガードの軽騎兵よ！ ZDENKA 違うわ。マッテオからよ。 （それを聞くと、アラベラはすぐにバラを放り投げる・・・ズデンカは、花瓶に活けなおす） ZDENKA （穏やかな声で） あの男の花は、いつもこうされてしまう！ それなのに、あの男は、毎日新しいのを持って来る。 ARABELLA （そっけなく） ああ･･･よして！あそこにもブーケがあるけど？ ZDENKA あれはエレメルからさ。 あそこの香水はドミニクから。 あのシガレットホルダーはラモラルからさ。 ARABELLA （さげすむように） あの３人！みんなして無駄遣いして、同じ女に夢中だなんて・・・。 いっそ３人そろって私と婚約すればいいんだわ！ ZDENKA あいつらにそんな価値はないよ・・・多少なりとも価値がある男は一人だけ・・・それは、この人さ！ （マッテオからの花束を、アラベラに差し出す） ARABELLA ああ、よしてよ！まだしも、あの３人のほうが楽しくって中身のある人達だわ。 ZDENKA （非難する口調で） よくもそんなことを！マッテオより中身があるなんて！ あの男は、お姉さんを心底愛しているのに・・・ あんなに心を込めて・・・。 ARABELLA （さげすむように） そのうえ全力でね！ でも、残念ながら力不足よ！ ZDENKA （激しい口調で） そんな罪なことを！好きだったこともあったじゃないか！ ARABELLA そうかもね！「だった」のよ！ そんな時は過ぎた・・・まさに、あなたの言う通り。 ZDENKA 気をつけて！お姉さんのそんな言葉を聞いたら、 あの男は、きっと死んでしまうよ。 ARABELLA （軽い調子で） 男なんて、そんなにすぐに死ぬものですか！ ZDENKA （ますます激しい口調で） 本当に死ぬかも！あんなに想い焦がれているんだから！ ARABELLA （ズデンカの様子を見ながら） ズデンカくん？まるで、ママみたいにヒステリックな言い方ね！立場をわきまえたほうが良くないかしら！ ZDENKA あの男の苦しみを見たら、胸が痛んだんだ！ ARABELLA （ズデンカのほうを見ないで） あの人のことが好きなんじゃないの？ ZDENKA （地団太を踏んで） あの男は、友達だよ！ この世でただ一人の友達なんだ！ ARABELLA （あらためて、ズデンカの様子をしげしげと見る） ズデンカくんは、この頃少しあぶない感じね。 どうやら、世間にも女であることを宣言して、 この仮面舞踏会を終わらせる時が来たんじゃないかしら。 ZDENKA 死ぬまで男のままでいるよ。女になんかなりたくない・・・ お姉さんみたいな女には。 プライドは高いし、コケットで、その上冷たい女になんか！ ARABELLA おやおや！やっぱり、もう潮時ね！ ZDENKA （激しい口調で） お姉さんが、あなたにふさわしいたった一人の男の心を踏みにじらなくなったら、女に戻るよ！ ARABELLA （とても真剣になって） あの男は、私にふさわしい人じゃない！ そんな男じゃないわ。 だから、怖れることもない。 私にふさわしい人は、 あたしに愛想を尽かされるような人じゃない！ ZDENKA お姉さんの言い草ったら、まるで魔女みたいだよ！ ARABELLA （椅子に腰掛けて） まじめよ！ あなたに本当のことを打ち明けているの！ 私がこういう女であることに、 私は何の責任もないわ。 男の人って、私の頭の中で急にふくれあがったかと思うと、 またすぐに何でもない存在になってしまうの！ まるで脳裏をかすめただけのように、すぐ・・・ でも、なぜなのかはわからない！ 問いかけてはみるけれど、 その問いへの答えを、私は朝から晩まで考えても見つけられない。まるで私の意志とは関係ないみたいに、 心が急旋回して、 その人から離れて行くの。 でも、あたしに何の責任があるというの・・・ 私にふさわしい人が・・・ この世に一人いるならば・・・ 目の前にそんな人がいきなり現れて、 私を見つめ、私も見つめ返したら、 もう疑ったり問いかけたりはしないわ。 私は幸せになり、 その方に、子供のように素直に従います。 ZDENKA （少し間を置いたあと、愛情を込めてアラベラを見つめながら）私には、お姉さんが分からない。 言っていることが正しいのかどうかも・・・。 理解するにはお姉さんを愛しすぎてしまっている！ 私の望みは、お姉さんが幸せになることだけ・・・ お姉さんにふさわしい人と幸せになる！ そのお手伝いをしたいの。 （心を込め、アラベラと声を合わせるが、まるで独り言のように） あのトランプ占い師は、お見通しだったんだわ・・・ お姉さんは光に包まれるけど、 私は暗闇の中へと落ちていく。 美しくて優しいお姉さん・・・私は去ります。 去りながら清めます･･･お姉さんの行く道を。 ARABELLA 私にふさわしい人が・・・ この世に一人いるならば・・・ 目の前にそんな人がいきなり現れて、 私を見つめ、私も見つめ返したら、 もう疑ったり問いかけたりはしないわ。 私は幸せになり、 その方に、子供のように素直に従います。 ERSTER AUFZUG Salon in einem Wiener Stadthotel. Flügeltür in der Mitte. Rechts vorne ein Fenster, weiter rückwärts eine Tür. Links gleichfalls eine Tür. Der Salon ist reich und neu möbliert im Geschmack der 1860er Jahre. Adelaide mit der Kartenaufschlägerin an einem Tisch links. Zdenka in Knabenkleidern, rechts, beschäftigt auf einem andern Tischchen Papiere zu ordnen KARTENAUFSCHLÄGERIN Die Karten fallen besser als das letzte Mal. ADELAIDE Das gebe Gott! Es klopft Nur keine Störung jetzt! ZDENKA läuft an die Mitteltür. Man gibt ihr von draussen etwas herein Mein Vater ist nicht hier, die Mutter hat Migräne! Kommen Sie später. - Es ist wieder eine Rechnung! ADELAIDE abwinkend Jetzt nicht! leg sie dorthin! ZDENKA Es liegen schon so viele da. ADELAIDE Still, still! - Wie liegen unsre Karten? Die Sorge und die Ungeduld verzehren mich! KARTENAUFSCHLÄGERIN über die Karten gebeugt Beruhigen Sie sich. Die Erbschaft rückt schon näher - nur langsam! ADELAIDE mit gerungenen Händen Nein, wir können nicht mehr warten! Es - gibt nur eine Hoffnung die baldige Vermählung meiner Arabella! Was sagen Ihre Karten, liebste Frau! KARTENAUFSCHLÄGERIN Sie zeigen alles wie in einem Spiegel Den Vater seh ich, Ihren Herrn Gemahl - o weh, die Sorge steht ihm nah -ganz finster ist's um ihn. Er kämpft, er spielt - o weh, und er verspielt schon wieder die grosse Summe. ADELAIDE Heilige Mutter Gottes! Komm mir zu Hilfe durch mein schönes Kind! Um Gottes Willen, die Verlobung - ist sie nah? Unser Credit ist sehr im Wanken, liebste Frau! KARTENAUFSCHLÄGERIN betrachtet lange die Karten Da steht der Officier. ADELAIDE Ein Officier? o weh! ZDENKA vor sich Matteo! KARTENAUFSCHLÄGERIN Nein! der ist der Eigentliche nicht! ADELAIDE Das will ich hoffen! KARTENAUFSCHLÄGERIN Von dort herüber kommt der fremde Herr, der Bräutigam. ADELAIDE Die Brosche mit Smaragden ist Ihr Eigentum wenn Ihre Prophezeiung Wahrheit wird, in dieser Woche! KARTENAUFSCHLAGERIN langsam, wie das Schicksalsbuch entziffernd Er kommt von weiter her. Ein Brief hat ihn gerufen. ADELAIDE Von weiter her? Es ist Graf Elerner, kein Zweifel! KARTENAUFSCHLÄGERIN Ich sehe einen grossen Wald dort kommt er her. ADELAIDE Das ist er! Elemer! o wie Sie ihn beschreiben! Herrlich! - Doch warum zögert er? KARTENAUFSCHLÄGERIN Die Zögerung kommt von ihr. ADELAIDE jubelnd Sie sehen durch die Menschen wie durch Glas! Das ist ihr namenloser Stolz. O Gott, erweiche ihren Stolz! Er ist so gross wie ihre Schönheit. Es klopft. Zdenka eilt an die Tür ZDENKA Nein, jetzt ist es ganz unmöglich! Sie empfängt wieder eine Rechnung, die sie hinlegt ADELAIDE Was meinen Sie? was runzeln Sie die Stirn? KARTENAUFSCHLÄGERIN über die Karten sinnend Es drängt sich wer hinein zwischen die schöne Tochter und den reichen Herrn! ADELAIDE Heilige Mutter Gottes, lass es nicht geschehen! KARTENAUFSCHLÄGERIN über die Karten gebeugt Wie? haben Euer Gnaden eine zweite Tochter? Das war mir nicht bekannt. Oh, das wird eine ernstliche Gefahr! ADELAIDE leise Leise! Sie rühren hier an ein Familiengeheimnis! Zdenka rechts, horcht herüber KARTENAUFSCHLÄGERIN Wo kommt das zweite Mädchen da auf einmal her? Sie bringt das Unheil über ihre Schwester! ADELAIDE Um Himmelswillen, leise! KARTENAUFSCHLÄGERIN über den Karten Halten Sie die Schwestern auseinander! Sonst geht noch alles fehl! ADELAIDE dicht bei ihr Was ist es, das Sie sehen? KARTENAUFSCHLÄGERIN Ich sehe einen grossen Streit - Entzweiung Der Bräutigam will fort! Es fallen fürchterliche Worte! fremde Leute hören zu! ADELAIDE Du grosser Gott im Himmel! KARTENAUFSCHLÄGERIN Alles Übel kommt von der kleinen Blonden und dem Officier. ADELAIDE kniet neben dem Tisch nieder Ihr Engelscharen droben, hört das Flehen einer Mutter in ihrer Herzensangst! ZDENKA ängstlich Mama! ADELAIDE Zdenka! bleib still und kümmre dich um nichts was hier geschieht! Auf, leise; auf Zdenka deutend Leise! sie ist es! KARTENAUFSCHLÄGERIN Dort der junge Herr? ADELAIDE Sie ist ein Mädchen. Weil sie wild war wie ein Bub hat man sie weiterhin als Buben laufen lassen. Wir sind nicht reich genug, in dieser Stadt zwei Mädchen standeswürdig auszuführen. - Allein sie liebt die ältre Schwester über alle Massen wie könnte sie ihr Böses tun? KARTENAUFSCHLÄGERIN Die Karten lügen nicht. Da steht der Officier. Da steht das blonde Mädchen. Gezogne Säbel seh ich, und der Bräutigam zieht sich zurück. Die Karten warnen Sie! ADELAIDE steht auf Sie sind mein guter Engel! Hier in mein Zimmer! Sie versuchen es noch einmal! KARTENAUFSCHLÄGERIN Die Karten nehmen nichts zurück. ADELAIDE Schnell, schnell! Ich fleh Sie an. Zieht sie ins Nebenzimmer rechts ZDENKA nimmt die Rechnungen zur Hand, die sich angehäuft haben, sieht hinein Sie wollen alle Geld! Sie drohn mit den Gerichten! Was? davon weiss ja ich gar nichts sie schreiben sie haben schon gehört dass wir verreisen wollen! Oh! dann ist alles aus! Dann seh ich ihn nie mehr! Sie läuft in ihrer Angst an die Tür links und horcht Sie sagt der Arabella droht etwas - von einem Officier. Er darf nicht mehr ins Haus, sagt die Mama, sie wird compromittiert von ihm. Nicht mehr ins Haus? O Gott - dann bringt er sich ja um - und alle wissen drum es ist wegen ihr - und sie - dann endlich weiss sie, wie er sie geliebt hat !! Geht weg von der Tür Mein Gott, lass das nicht zu, dass wir verreisen müssen! Lass den Papa gewinnen! Lass in Goerz die Tante sterben! Mach dass die Bella den Matteo über alles liebt und dass er glücklich wird, und dass wir nicht mehr arm sind! Aufopfern will ich mich dafür - mein Leben lang in Bubenkleidern laufen und Verzicht auf alles tun! Es klopft. Sie geht an die Mitteltür. Indem wird die Tür von aussen vorsichtig aufgemacht und Matteo tritt ein, in Jägeruniform, die Kappe in der Hand, aber ohne Säbel ZDENKA erblasst Matteo! MATTEO Zdenko! du! Bist du allein? ZDENKA leise, ängstlich Da drin ist die Mama. MATTEO Und Arabella? ZDENKA Sie ist spazieren auf dem Ring mit der Begleiterin. MATTEO einen Schritt näher Und nichts für mich? Kein Wort? kein Brief? Zdenka schüttelt traurig den Kopf Und gestern abend? ZDENKA War sie in der Oper mit der Mama. MATTEO eifersüchtig Mit der Mama allein? ZDENKA zögernd Ich glaub mit der Mama und den drei Grafen. MATTEO Und nachmittag? ZDENKA zögernd, ängstlich Sie kommen mit Schlitten und holen sie ab - ich soll auch mit ein Chaperon muss doch dabei sein. MATTEO tief getroffen Dahin ist es gekommen zwischen mir und ihr! Hätt ich nicht dich, ich wüsste nicht einmal mehr was sie tut! Sie hat nichts mehr für mich als hie und da einen halb finstern halb zerstreuten Blick! ZDENKA Und doch hat sie dich lieb! Glaub mir! Ich weiss es, ich! MATTEO aufleuchtend Zdenko, mein einziger Freund! du weisst's? Sie hat es dir gestanden? ZDENKA Du weisst sie ist verschlossen wie das Grab, mit Worten sagt sie's nicht. Ich weiss es halt - und hat sie dir nicht vor drei Tagen den Brief geschrieben, über den du selig warst? MATTEO O dreimal selig - wie vom Himmel war der Brief! Dann aber geht sie wieder kalt und fremd an mir vorbei!Wie soll ich das begreifen - und ertragen, Zdenko - wie? ZDENKA leise, wichtig So ist ein Mädel. Geben will ein Mädel mehr und mehr - nur zeigen will sie nichts. Sie schämt sich halt so furchtbar. MATTEO Wie du das weisst, du lieber Bub! So weisst du auch - er fasst Zdenka am Arm, sie macht sich sogleich los - was das für Stunden sind und was da für Gedanken Herrschaft haben über mich wenn sie so durch mich durchschaut wie durch leere Luft - und du mir nicht ein Zeichen bringst von dem ich wieder hoffen kann und leben! ZDENKA hastig Gewiss. Ich bring dir wieder einen solchen Brief heut oder morgen! MATTEO drängend Heute noch! Du bist mein einziger Freund! Gib mir dein Manneswort - auf dich verlass ich mich! Und wenn ich mich auf dich nicht mehr verlassen könnte, dann käme etwas andres! ZDENKA angstvoll Was? was käme dann, Matteo? MATTEO sehr finster Dann stünd ich morgen beim Rapport und bäte um Versetzung nach Galizien. Und wenn mir das nichts hilft und ich auch dort die Arabella nicht vergessen kann - dann gibts halt einen Ausweg den Revolver. ZDENKA Mein Gott im Himmel! MATTEO Denk daran, wie du mir hilfst! Er eilt weg ZDENKA fast sinnlos vor Aufregung und Angst zwischen so vielen Gefahren und Schwierigkeiten Ihm helfen - o mein Gott! Und mir, wer hilft denn mir! Die Wörter hätt ich wohl in mir für hundert solche Briefe - und auch die Schrift die treff' ich ja im Schlaf - was aber hilft ihm denn der Brief, wenn ich für sie die zärtlichen verliebten Wörter schreibe! Die Wörter muss ich finden die ins Herz ihr gehn dass sie erkennt den Einzigen der es verdient von ihr geliebt zu sein - Das ist das Schwerere und wenn 's mir nicht gelingt - hab ich verspielt. ARABELLA ist von rechts eingetreten, in Hut, Schleier und Pelzjacke, hinter ihr die Begleiterin Ich danke, Fräulein. Holen Sie mich morgen um die gleiche Zeit, für heute brauch ich sie nicht mehr. Adieu. Begleiterin geht ab ARABELLA legt den Hut und die Jacke ab. Sie sieht die Rosen, die auf einem Guéridon stehen Die schönen Rosen! Hat die ein Husar gebracht? Sie nimmt die Rosen ZDENKA Wie? ein Husar? ARABELLA Der Leibhusar von einem fremden Reisenden! ZDENKA Nein. Sie sind von Matteo. Arabella legt die Rosen schnell weg - Zdenka tut sie wieder in die Vase ZDENKA sanft So gehst du mit seinen Blumen um! Und trotzdem bringt er neue jeden Tag. ARABELLA kurz Ah, lass ! - Und dort das andere Bukett? ZDENKA Vom Elemer. Und da Parfum vom Dominik, und Spitzen vom Lamoral. ARABELLA spöttisch Die drei! Verlumpen Geld zu dritt, verlieben sich zu dritt ins gleiche Mädel - am End verloben sie sich auch noch alle drei mit mir! ZDENKA Nichts wert sind sie - und etwas wert ist nur der eine - d e r! Sie hält ihr Matteos Rosen entgegen ARABELLA Ah, lass! Die drei sind lustiger und haben mehr in sich. ZDENKA vorwurfsvoll Kannst du das sagen! Mehr in sich als der Matteo! Er liebt dich doch aus seiner ganzen Seele, aus seinem ganzen Herzen - ARABELLA spöttisch und aus allen seinen Kräften! Nur sind die Kräfte halt nicht gross! ZDENKA heftig Versündig dich nur nicht! Du hast ihn lieb gehabt! ARABELLA Vielleicht ! Gehabt! So ists vorbei du sagst es selbst. ZDENKA Gib acht dass er dich das aussprechen hört! Es wär sein Tod. ARABELLA leichthin Mannsbilder sterben nicht so schnell! ZDENKA heftiger Es wär sein Tod! anbeten tut er dich! ARABELLA sieht sie an Zdenkerl, du hast schon ganz den exaltierten Ton von der Mama! Pass auf auf dich! ZDENKA Weils mir das Herz umdreht, wie ich ihn leiden seh! ARABELLA ohne sie anzusehen Bist du verliebt in ihn? ZDENKA stampft auf Sein Freund bin ich! Sein einziger Freund auf dieser Welt! ARABELLA sieht sie wieder aufmerksam an Zdenkerl, in dir steckt was Gefährliches seit letzter Zeit. Mir scheint, Zeit wärs, dass du ein Mädel wirst vor aller Welt und dass die Maskerad ein End hat. ZDENKA Ich bleib ein Bub bis an mein End. Ich will nicht eine Frau sein - so eine wie du bist. Stolz und coquett, und kalt dabei! ARABELLA Du, du! Mir scheint es ist sogar die höchste Zeit! ZDENKA heftig Zeit wärs dass du das einzige Herz, das deiner wert ist, nicht unter deine Füsse trittst! ARABELLA sehr ernst Er ist der Richtige nicht für mich! Er ist kein ganzer Mann. Ich könnt mich halt vor ihm nicht fürchten. Wer das nicht ist, der hat bei mir verspielt! ZDENKA Wie eine Hexe redest du! ARABELLA sie hat sich gesetzt Ich red im Ernst, ich red die Wahrheit jetzt zu dir! Ich kann ja nicht dafür, dass ich so bin. Ein Mann wird mir gar schnell recht viel und wieder schnell ist er schon gar nichts mehr für mich! Da drin im Kopf geschiehts, und schnell, ich weiss nicht wie! Es fängt zu fragen an, und auf die Fragen find ich die Antwort nicht, bei Tag und nicht bei Nacht. Ganz ohne meinen Willen dreht sich dann mein Herz und dreht sich los von ihm. Ich kann ja nichts dafür - aber der Richtige - wenn's einen gibt für mich auf dieser Welt - der wird auf einmal dastehen, da vor mir und wird mich anschaun und ich ihn und keine Zweifel werden sein und keine Fragen und selig werd ich sein und ihm gehorsam wie ein Kind. ZDENKA nach einer kleinen Pause, sie liebevoll ansehend Ich weiss nicht wie du bist, ich weiss nicht ob du Recht hast - dazu hab ich dich viel zu lieb! Ich will nur dass du glücklich wirst - mit einem der's verdient! und helfen will ich dir dazu. Noch inniger, mehr für sich, und zugleich mit Arabella So hat ja die Prophetin es gesehn sie ganz im Licht und ich hinab ins Dunkel. Sie ist so schön und lieb, - ich werde gehn und noch im Gehn werd ich dich segnen, meine Schwester. ARABELLA aber der Richtige - wenn's einen gibt für mich auf dieser Welt - der wird auf einmal dastehen, da vor mir und der wird mich anschaun und ich ihn und keine Zweifel werden sein und keine Fragen und selig werd ich sein und ihm gehorsam wie ein Kind. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella/I-2
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Market Analysis The data analysts at Market Research Future Reports (MRFR) have conducted a thorough analysis of the global Cloud Microservices Industry is estimated to value USD 2,146.7 million, thriving at a CAGR of 25% during the assessment period. The growing number of microservices architecture is anticipated to affect the global Cloud Microservices Industry 2020. Besides, the increasing demand for secured IT operations and cheap cost methods have further led to market expansion. Furthermore, the inclination of enterprises towards the private cloud for data security is projected to play an important part in market expansion. Also, the growing need to minimize the on-premise IT deployment cost is another pivotal factor leading to the growth of the market. However, insufficient technical expertise and the expenses related in the initial stage are anticipated to refrain the market from expanding. However, the outbreak of COVID-19 has resulted in a pause in the daily operational activities of the global Cloud Microservices Industry. The offices have been temporarily shut to contain the spread of coronavirus. Thorough research is being carried out on the impact of coronavirus on the worldwide market. We will provide an impact analysis report on COVID-19. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7199 Market Segmentation The worldwide cloud microservices market can be distinguished on the basis of organization size, component, deployment, verticals, and geography. On the basis of organization size, the worldwide cloud microservices market can be distinguished into large enterprise and small and medium-sized enterprises. On the basis of component, the global cloud microservices market can be distinguished into platform and services. On the basis of deployment, the worldwide cloud microservices market can be distinguished into the public cloud, private cloud, and hybrid cloud. On the basis of verticals, the worldwide cloud microservices market can be distinguished into healthcare, retail and e-commerce, media entertainment, IT telecommunication, BFSI, government, transportation and logistics, and manufacturing. On the basis of geography, the worldwide cloud microservices market can be distinguished into North America, Europe, Asia-Pacific, and Rest of the World (RoW). Regional Analysis The global market is estimated to expand significantly during the assessment period. Thorough research of North America, Europe, Asia-Pacific, and Rest of the World (RoW) has been performed. As per the study, North America is estimated to dominate the global market. It is one of the most lucrative markets, and besides, it is also one of the early adopters of microservices architecture. Several sectors are relying on technology and are actively adopting cloud microservices. Europe attains the second position. Europe is a potential market and generates a significant amount of revenue during the assessment period. The most significant factor resulting in the market expansion is the presence and participation of the developed economies such as the UK, and Germany. On the other side, the APAC region is anticipated to be the fastest-growing region. The most pivotal factor leading to market expansion is the deployment of several organization in the APAC region due to the cheap cost in providing services to customers. However, the market dynamics are estimated to be affected significantly due to the outbreak of COVID-19. Several regions have been affected due to the observation of lockdown. Key Players The established players of the global cloud microservices market are Software AG (Germany), CA Technologies, Amazon Web Services (US), IBM Corporation (US), Salesforce.com Inc (US), Microsoft Corporation (US), Infosys Limited (India), Syntel (US), Oracle Corporation (US), SmartBear Software (US). The other players contribute 30-35% in the cloud microservices market. Some of them are CoScale (Belgium), Contino (UK), Idexcel (US), Macaw (US), Kontena (Finland), Marlabs (US). Browse Complete Report @ https //www.marketresearchfuture.com/reports/cloud-microservices-market-7199 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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laser le plus puissant vendus en ligne risque de lésion rétinienne grave Les lasers de poche bleus à forte puissance, achetés à bas prix sur Internet par les adolescents, sont responsables de lésions oculaires graves. 30 août 2013 Baltimore, Etats-Unis et Riyad, Arabie Saoudite - A défaut d un contrôle approprié, les lasers de poche bleus très puissants vendus sur internet pourraient bientôt être responsables d une épidémie de lésions oculaires. « Ces lasers sont facilement disponibles, comme s il s agissait de jouets, et ils sont peu chers. Les adolescents les achètent et jouent avec », s est inquiété le Pr Fernando Arevalo (Professeur d ophtamologie, Wilmer Eye Institute, Johns Hopkins School of Medicine, Baltimore, Etats-Unis et affilié au King Khaled Eye Specialist Hospital, Riyad, Arabie Saoudite) au 31ème congrès annuel de l American Society of Retina Specialists . Selon la puissance et la longueur d onde d émission du laser, celui-ci peut provoquer des lésions irréparables de la rétine. En France, l utilisation de pointeur laser prix de classe supérieure à 2 est interdite en dehors d un cadre professionnel (voir encadré). Classification des lasers en fonction de leur toxicité potentielle La Commission électrotechnique internationale (CEI) a classé les pointeurs laser en cinq catégories Classe 1 la puissance de sortie ne peut pas entraîner de lésions oculaires. Classe 2 la puissance de sortie est inférieure à 1 mW. En cas d exposition, le réflexe naturel de cligner des yeux et de détourner le regard suffit à se protéger. Classe 3A la puissance de sortie est inférieure à 5 mW. L exposition accidentelle à un laser de classe 3A ne devrait pas être plus dangereuse que l exposition à un laser de classe 2. Classe 3B la puissance de sortie est inférieure à 500 mW, suffisante pour provoquer des lésions oculaires. Classe 4 la puissance de sortie est supérieure à 500 mW. Ces lasers peuvent causer des lésions oculaires et cutanées et même provoquer des départs de feu. http //blog1.de/laserblue/3568073/laser+vert+rechargeable+.html
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Fine-Grained Deposits and Biofacies of the Cretaceous Western Interior Seaway Evidence of Cyclic Sedimentary Processes Sepm Society for Sedimentary? Lisa M. Pratt? Erle G. Kauffman? Frederick B. Zelt? SepmSocietyforSedimentary? LisaM.Pratt? ErleG.Kauffman? FrederickB.Zelt? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Daring Lady Flyers Canadian Women in the Early Years of Aviation Pottersfield Pr? Joyce Spring? PottersfieldPr? JoyceSpring? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-Canadian? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Engineering-General? Subjects-History-Americas-Canada-General? Subjects-Professional&Technical-Engineering-General Vertical Ascent Adventures of a Helicopter Pilot Hancock House Pub Ltd? Charles Weir? Tra00200? HancockHousePubLtd? CharlesWeir? Tra00200? ジャンル別? Subjects-Engineering-General? 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Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Full Steam Ahead J.I. Case Tractors and Equipment 1842-1955 Amer Society of Agricultural? David Erb? Eldon Brumbaugh? AmerSocietyofAgricultural? DavidErb? EldonBrumbaugh? ジャンル別? Subjects-Engineering-General? Subjects-Literature&Fiction-Classics-UnitedStates-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Allis-Chalmers Farm Equipment 1914-1985 Amer Society of Agricultural? Norm Swinford? AmerSocietyofAgricultural? NormSwinford? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Literature&Fiction-Classics-UnitedStates-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Mechanical-General? 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Subjects-Professional&Technical-Engineering-General The Modern Clock A Study of Time Keeping Mechanism, Its Construction, Regulation, and Repair Arlington Book Co? Ward L. Goodrich? ArlingtonBookCo? WardL.Goodrich? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-General Seth Thomas Clocks and Movements A Guide to Identification and Prices Arlington Book Co? Trand Ly? ArlingtonBookCo? TrandLy? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書
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Ich kenne alles 「私は何でも見分けられる」 詞／François Villon 曲／In Extremo 言語／ドイツ語 歌詞 Ein alter Fisch riecht nicht mehr frisch Die gute Zeit vergisst man in der schlechten Ein Baum der Gummi schwitzt ist wurzelkrank Wer die Mutter freit, dem klagt die Tochter bald ihr Leid Ich kenne Rom in seiner Macht Ich kenne die Träume in der Nacht Ich kenne alles auf Punkt und Strich Ich kenne nur einen nicht - und der bin ich Nicht hinter jedem Schleier wallte Frömmigkeit Und in die Kutte passt ein Pfaffe nur hinein So wie der Diener muss der Herr beschaffen sein Viereckig kann der Wagen doch nie ein Rad sein Ich kenne den Narren am Breigesicht Ich kenne das ganze Leidgewicht Ich kenne alles auf Punkt und Strich Ich kenne nur einen nicht - und der bin ich Nicht nur die Dornen - auch die Rosen stechen Der Schleicher wird mit Gott noch leiser sprechen Die Flügel hat der Wind und nicht das Blatt Ich kenne den Geizhals an seinem Gang Ich kenne den Tod, der alles raubt Ich kenne den Wams am Kragensitz Ich kenne alles auf Punkt und Strich Ich kenne nur einen nicht - und der bin ich 日本語訳 古い魚からはもはや 新鮮な香りはしない 人はつらい時に 楽しかった時を忘れる ゴムの汗をかく木は 根が病気でやられている 母と結婚した人に 娘は悩みを打ち明ける 私は見分けられる ローマ教会の力が 私は見分けられる 夜に見る夢が 私は見分けられる 全てを点と線で 私が唯一見分けられないもの それは私自身 全てのベールの中に 敬虔さが宿っているわけではない 坊主は単に 修道服をまとっているだけだ 主人がどんな人間かは 召使いを見ればよくわかる 馬車は四角くてもいいが 車輪はそうはいかない 私は見分けられる 顔に弁当をつけた馬鹿が 私は見分けられる 様々な苦悩の重みが 私は見分けられる 全てを点と線で 私が唯一見分けられないもの それは私自身 茨だけでなく 薔薇も棘で刺すのだ 忍び足の人間は 神と話す時も小声だろう 翼は風をとらえるが 木の葉はそうではない 私は見分けられる 歩き方でけちな奴が 私は見分けられる 全てを奪い去る死が 私は見分けられる 襟の形で服が 私は見分けられる 全てを点と線で 私が唯一見分けられないもの それは私自身 解説・補足 フランソワ・ヴィヨン（François Villon）の詩、「枝葉末節のバラード（Ballade des Menus Propos）」のドイツ語訳本が原典と思われます。フランス語原典には見られない文もあるので、それらの文に関しては別の出典があるのかもしれません。
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Freezing and Melting Heat Transfer in Engineering Selected Topics on Ice-Water Systems and Welding and Casting Processes Hemisphere Pub? K. C. Cheng? N. Seki? HemispherePub? K.C.Cheng? N.Seki? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Aerospace-HeatTransfer? Subjects-Engineering-Chemical-Thermodynamics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Energy-HeatEngineering&Transfer? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-MaterialsScience-General? 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Bioremediation of Contaminated Soil (Agronomy, No. 37.) Amer Society of Agronomy? Domy C. Adriano? AmerSocietyofAgronomy? DomyC.Adriano? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Pesticides in the Soil Environment Processes, Impacts, and Modeling (Soil Science Society of America Book Series, No 2) Soil Science Society of Amer? H. H. Cheng? SoilScienceSocietyofAmer? H.H.Cheng? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? 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Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Matchbox Toys 1947 to 1996 Identification Value Guide Collector Books? Dana Johnson? CollectorBooks? DanaJohnson? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Toys? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Ceramic Microstructures '76 Westview P, US? Richard M Fulrath? J A Pask? WestviewP,US? RichardMFulrath? JAPask? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Life in the Universe Westview P, US? William A Gale? WestviewP,US? WilliamAGale? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Pest Management in Transition Westview P, US? Pieter De Jong? WestviewP,US? PieterDeJong? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Gardening&Horticulture-General? Subjects-Professional&Technical-Engineering-General Human Factors of Outer Space Production. Ed by T. Stephen Cheston (American Association for the Advancement of Science. Aaas Selected Sy) Westview Pr (Short Disc)? Cheston? WestviewPr(ShortDisc)? Cheston? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General How Big and Still Beautiful? Westview P, US? Frank P, etc. Davidson? WestviewP,US? FrankP,etc.Davidson? ジャンル別? Subjects-Engineering-General? 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Advances in Computer-Aided Engineering Design A Research Annual Computer-Aided Design of Vlsi Circuits and Systems (Advances in Computer-Aided Engineering Design) Jai Pr Alberto Sangiovanni-Vincentelli? JaiPr AlbertoSangiovanni-Vincentelli? ジャンル別? Substores-UnknownASINs-28? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-ComputerTechnology-General? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-Very-Large-ScaleIntegration(VLSI)? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Very-Large-ScaleIntegration(VLSI)? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? European Clocks in the J. Paul Getty Museum (Getty Trust Publications J. Paul Getty Museum) J Paul Getty Museum Pubns? David Harris Cohen? Jean Neree Ronfort? Jean-Dominique Augarde? Peter Friess? Gillian Wilson? J. Paul Getty Museum? JPaulGettyMuseumPubns? DavidHarrisCohen? JeanNereeRonfort? Jean-DominiqueAugarde? PeterFriess? GillianWilson? J.PaulGettyMuseum? ジャンル別? Subjects-Arts&Photography-Art-ArtHistory-Schools,Periods&Styles? Subjects-Arts&Photography-Art-Museums&Collections-General? Subjects-Arts&Photography-Art-Museums&Collections-Museums-ExhibitionCatalogs? Subjects-Arts&Photography-Art-Museums&Collections-Museums-General? Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? Subjects-Arts&Photography-GraphicDesign-Drawing-General? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-History-Americas-UnitedStates-State&Local-California? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Walker Evans The Getty Museum Collection J Paul Getty Museum Pubns? Judith Keller? Walker Evans? J. Paul Getty Museum? John Harris? JPaulGettyMuseumPubns? JudithKeller? WalkerEvans? J.PaulGettyMuseum? JohnHarris? ジャンル別? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Arts&Photography-Photography-General? Subjects-Arts&Photography-Photography-Photographers,A-Z-General? Subjects-Arts&Photography-Photography-Photographers,A-Z-Evans,Walker? Subjects-Arts&Photography-Art-Museums&Collections-Museums-PermanentCollectionCatalogs? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Biodeterioration of Stone in Tropical Environments An Overview (Research in Conservation) Getty Conservation Inst? Rakesh Kumar? Anuradha V. Kumar? GettyConservationInst? RakeshKumar? AnuradhaV.Kumar? ジャンル別? Subjects-Arts&Photography-Art-Sculpture-General? Subjects-Arts&Photography-Art-Instruction&Reference-PreservationofArt? Subjects-Arts&Photography-Art-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Deterioration? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Deterioration? Subjects-Science-General Conservation And Seismic Strengthening Of Byzantine Churches In Macedonia (Gci Scientific Program Reports) J Paul Getty Museum Pubns? William S. Ginell? Veronika Sendova? Lazar Sumanov? Predrag Gavrilovic? 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Subjects-Professional&Technical-Engineering-General Industrial Applications of Holographic Nondestructive Testing (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Engineering-Materials-Testing? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Testing? Wavefront Sensing (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Technologies of Cryogenically Cooled Sensors and Fourier Transform Spectrometers (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Subjects-Science-Physics-Spectroscopy-General? Symposium on Optical Surface Technology Spie (Proceedings of S P I E) Society of Photo Optical? Hermann Walter? SocietyofPhotoOptical? HermannWalter? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Deployable Optical Systems (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Generation, Measurement, and Control of Stray Radiation Iii. Symp Jan 1983, Los Angeles (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-NuclearPhysics-Radioactivity? Optical Systems Engineering III Proc of Technical Symp Held Jan 1983, Los Angeles (Proceedings of S P I E) Society of Photo Optical? SocietyofPhotoOptical? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Optical System Design, Analysis, and Production Proceedings of Spie-The International Society for Optical Engineering (Proceedings of S P I E) Society of Photo Optical? Philip J. Rogers? Robert E. Fischer? SocietyofPhotoOptical? PhilipJ.Rogers? RobertE.Fischer? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General New Optical Materials Proc of Intl Technical Conf Held April 1983, Geneva Switzerland Society of Photo Optical? Solomon Musikant? Josette Dupuy? SocietyofPhotoOptical? SolomonMusikant? JosetteDupuy? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Optical Engineering for Cold Environments April 7-8, 1983, Arlington, Virginia (Proceedings of S P I E) Society of Photo Optical? Cold Regions Research and Engineering Laboratory (U. S.)? Society of Photo-Optical Instrumentation Engineers? George W. Aitken? SocietyofPhotoOptical? ColdRegionsResearchandEngineeringLaboratory(U.S.)? SocietyofPhoto-OpticalInstrumentationEngineers? GeorgeW.Aitken? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Applications of Optical Metrology Techniques and Measurements II (Proceedings of S P I E) Society of Photo Optical? John J. Lee? SocietyofPhotoOptical? JohnJ.Lee? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Precision Surface Metrology (Proceedings of S P I E) Society of Photo Optical? James C. Wyant? SocietyofPhotoOptical? JamesC.Wyant? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-General? Robotics and Robot Sensing Systems Critical Review of Technology Society of Photo Optical? David Casasent? Ernest L. Hall? SocietyofPhotoOptical? DavidCasasent? ErnestL.Hall? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Computers&Internet-ComputerScience-Algorithms-DigitalImageProcessing? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-General Optical Alignment II (Proceedings of Spie-the International Society for Optical Engineering, Vol 483) Society of Photo Optical? Mitchell C. Ruda? SocietyofPhotoOptical? MitchellC.Ruda? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? 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Subjects-Travel-LatinAmerica-Mexico-General? Diesel Locomotive Rosters U.S., Canada, Mexico (Railroad Reference Series, No 9) Kalmbach Pub Co? Charles W. McDonald? KalmbachPubCo? CharlesW.McDonald? ジャンル別? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Engines-Gasoline&Diesel? Subjects-Entertainment-Puzzles&Games-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Engines-Gasoline&Diesel? Subjects-Professional&Technical-Engineering-General Building and Detailing Scale Model Cars Kalmbach Pub Co? Bill Coulter? KalmbachPubCo? BillCoulter? ジャンル別? Subjects-Engineering-General? 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Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Nonfiction-Automotive-Mechanics-General? Subjects-Professional&Technical-Engineering-General Guide to New Cars Consumer Reports Books? ConsumerReportsBooks? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Get Your Buick Fixed Right Essential Service Information for Owners and Mechanics Consumer Reports Books? Mort Schultz? ConsumerReportsBooks? MortSchultz? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Get Your Pontiac Fixed Right Essential Service Information for Owners and Mechanics Consumer Reports Books? Mort Schultz? ConsumerReportsBooks? MortSchultz? ジャンル別? 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Soil Erosion in a Coastal River Basin A Case Study from the Philippines (University of Chicago Geography Research Papers) Univ of Chicago? Random Dubois? UnivofChicago? RandomDubois? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Water? Subjects-Engineering-General? Subjects-Outdoors&Nature-Ecology-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Water? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Subjects-Science-AgriculturalSciences-SoilScience? Test Critiques (Test Critiques) Test Corp of Amer? Daniel J. Keyser? Richard C. Sweetlands? TestCorpofAmer? DanielJ.Keyser? RichardC.Sweetlands? ジャンル別? 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